Lange Satze in langsamer Bewegung, welche zwingt don Atem lange einzuhalter; 3. Grosse In- torvalle, welche man sehr sorgultig binden muse;. PP f i ioe 0 Ne pas onblior do rosprerou. Ake 7,, Paris tp: Meunot er. Isabel Santos Ortega. Sammy Sand. Nilio Balducci. Mohamed F. Ivonne Olascoaga.
Daniele Capano. Luciano Alves. Katerina Sartina. Ysis Rivera. Reuben Fenemore. Gustavo Oviedo. Nanini, C. Uerlichs, Rev. Dress, Jacob H. Zangl, Orlando di Lasso, J. Gruber, M. Gerum, Fr. Walczynski, Ignatz Mitterer, J. Witt, Mozart, Heinrich Isaac, D. Bortniansky, Th.
Not especially exciting, but great for getting your fingers moving and ironing out little hidden weaknesses. Think this is easy? Think again. Then etudes that focus on problems of each hand. How fluent are you in the throat tones? No, I mean really? These tackle all your least favorite fingering issues…. Then a quick tour though all the major and minor scales and arpeggios, with varied articulations….
And finally an expressive etude. This one really covers a lot of ground—extremes of range and dynamics, varied articulations, long phrases, lyrical passages and technical hurdles, and more expression and tempo markings than you would expect to find in the entire book. It even calls for vibrato in one spot. Thanks for stopping by, Jack! I clicked through to your website and enjoyed your audio clips.
Sounds like daily Jeanjean is paying off for you. Very good exercises for LH and RH and well devised too,The staccato exercises show were our weak points are! Ever tried the Bobbit exercises? Hi Art, thanks for stopping by.
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